Thursday, December 21, 2017

Engaging Students in Story Telling

Click here for the video of my story telling.

The people of Ancient Greece, like many other ancient cultures, used mythology to explain the environment around them. Greek myths are very closely related to religion and explain the origins and lives of the gods. The stories were passed from generation to generation orally. With each retelling of the myth, the story may have been embellished by the orator. The stories have survived centuries. Although the Greek religion is no longer polytheistic, many people still tell the stories of the Twelve Olympians. Books, movies, and songs have been written about the Gods from Mount Olympus. The myths of Ancient Greece have survived the test of time.
Greek myths were very closely related to religion. The deities of the Ancient Greeks had powers that far surpassed the abilities of humans. One of the reasons these myths are so alluring is that it is believed that during the time of origin, humans interacted with the gods on a regular basis. For Westerners, Greek myths hold a special place because Greece has an enormous impact on Western society. The “products of ancient imagination...have become deeply embedded in Western literature, films, arts, and even Westerners’ ways of viewing the world” (Nardo 14). Western culture is foundationally based on Ancient Greece. Westerners hold the Greek myths to a higher reverence than other ancient stories.
The story of Epimetheus and Prometheus explains the creation of mankind and the creatures of Earth. Epimetheus and Prometheus were Titan brothers who Zeus saved from exile after the war against Tartarus. He tasked them with creating the mortals of Earth. Prometheus created mankind and Epimetheus molded the rest of the animals. Prometheus was thought of as the wisest of the gods. Prometheus took his task of creating mortals very seriously. He fashioned them after the gods because they would interact regularly with them (Nardo 47). Epimetheus, Prometheus’ brother, was not as smart as his brother. He gave animals all sorts of protection (wings, sells, fur, etc.). Without any other means of protection against the animals, Prometheus stole fire from the gods and gave it to the mortals (Taft 106).
These myths were originally told orally. The true author/creator of the myth is unknown. The creation story of Prometheus and Epimetheus was first written by the Greek poet, Hesiod, in Works and Days, which was published around 700 BCE. This myth is also the foundation of the tragedy, Prometheus Bound by playwright Aeschylus, written around 430 BCE. This myth was also portrayed in several paintings. One, Prometheus Bound, by Peter Paul Reubens, depicts the myth told by Aeschylus. In the painting, Prometheus’ liver is being eaten by an eagle. According to the myth, his liver grows back every night and every morning the eagle comes to eat it once again (Payment 43).
Mythology can be used in several ways in library curriculum. Students can research how Greek and Roman mythology influenced contemporary society. Myths also increase students’ vocabulary and reinforce comprehension skills. Many authors have used the ancient myths as foundational texts. Students can find and read novels with Greek mythology. Some that quickly come to mind are Rick Riordan’s Percy Jackson series, The Song of Achilles by Madeline Miller, and the Covenant series by Jennifer Armentrout. Students can research the mythical elements in the novels and compare and contrast with the ancient myths themselves. For example, Rick Riordan mentions several Greek gods and goddesses. Students could use the text by Riordan to compare and contrast how the Ancient Greeks described the same gods and goddesses.
For me, Greek mythology was a big part of my childhood. My grandfather was from Sikia, Greece, a town just outside of Sparta. Our bedtime stories as children were from The Iliad by Homer. We heard all of Hercules’ adventures, spent nights imagining Odysseus’ fighting Cyclops, and days reenacting the Trojan War. I was one of the few people in my freshman high school English class who could pronounce the names of the Greeks in The Odyssey. The story of Epimetheus and Prometheus was one of my grandfather’s favorites. So much so, that one of our dogs is named Epimetheus (or Epi, for short) because he was an afterthought when we “accidently” adopted him. The version I told was from Amy Friedman and Meredith Johnson. I found this version to use language that was easy for secondary students to understand. The story flows very smoothly and would be easy for listeners to follow. Greek mythology has been a huge part of my life and my grandfather was a huge influence in my storytelling.
Works Cited
Friedman, Amy and Meredith Johnson. “PROMETHEUS AND EPIMETHEUS (a Greek Myth), Tell Me a Story.” Uexpress, www.uexpress.com/tell-me-a-story/2011/3/6/prometheus-and-epimetheus-a-greek-myth.
Nardo, Don. Greek Mythology. Lucent Books, 2012.
Payment, Simone. Greek Mythology. Rosen Pub. Group, 2006.

Publishing, Britannica Educational, and Michael Taft. Greek Gods & Goddesses. Encyclopaedia Britannica, Inc., 2014.

Standards Aligned Activity

Fiction Book
Boyne, John. The Boy in the Striped Pajamas. David Fickling Books, 2006.
Lexile: 1000L
Grades: 6-8
Topics/Tags: Historical fiction, Holocaust, Concentration camps, World War II
Summary: Bruno, a nine-year old German boy, moves to a new house after his father has received a promotion. The house is far away and there is no one for Bruno to play with. There is a tall fence running alongside the house as far as the eye can see. While exploring one day, Bruno meets a boy on the other side of the fence - a boy in striped pajamas. This boy’s life is very different from Bruno’s and their friendship has devastating consequences.

Alignment:
Learning Standards:
  • Grades 5-8 Common Core Reading Standards for Literacy in History/Social Studies (NYS)
    • Key Ideas and Details
  1. Cite specific textual evidence to support analysis of primary and secondary sources.
  • Integration of Knowledge and Ideas
7.    Integrate visual information (e.g., in charts, graphs, photographs, videos, or maps) with other information in print and digital texts.
  • Common Core English Language Arts Standards Grades 6-12
    • Responding to Literature
11.   Respond to literature by employing knowledge of literary language, textual features, and forms to read and comprehend, reflect upon, and interpret literary texts from a variety of genres and a wide spectrum of American and world cultures.
  • AASL Standards For The 21st-Century Learner
    • 1.1.6 Read, view, and listen for information presented in any format (e.g., textual, visual, media, digital) in order to make inferences and gather meaning.
    • 1.1.7 Make sense of information gathered from diverse sources by identifying misconceptions, main and supporting ideas, conflicting information, an point of view or bias.

Learning Goals:
  • Learners will be introduced to life for children during the Holocaust.
  • Learners will read, view, and listen for information gathered from fiction and nonfiction texts, including primary sources.
  • Learners will make sense of information gathered to create a diary entry.

Learning Objectives:
  1. Cognitive
    • Students will assess and analyze documents (both primary/secondary and fiction/nonfiction).
    • Students will understand the living conditions of children during the Holocaust.
  2. Affective
    • Using primary source documents, such as diary entries, students will be able to describe and understand the living conditions of children during the Holocaust.
    • Photographs and primary source documents will help teach students the horrors of the Holocaust for children around their age. Students will react to these sources during class and small group discussions.
  3. Psychomotor
    • Students will write a diary entry from the point of view of a child living during the Holocaust using information gathered from nonfiction and fiction texts.

Learning Outcomes:
Learners will be able to:
  • Articulate specific details about life during the Holocaust for children.
  • Gather and use information from fiction and nonfiction text to write a diary entry from the point of view of a child living during the Holocaust.

Activity:
What will children be doing? What activities will they engage in to meet the Standards, Goals, Objectives, and Outcomes?
  • Multi-day activities. Students will first read fiction text.
  • After reading text, they will manipulate the nonfiction text to find supporting factual information for the fiction text - which historical details of the fiction text are true/false.
  • The students will complete station work on the Holocaust - mimicking the Holocaust Memorial Museum. They will receive a passport of a child around their age (12-15) and follow their child’s passport around the stations, answering questions about the child (ghettos, concentration camps, liberation, resistance). The stations and passports will relate back to the texts, both fiction and nonfiction.
  • Students will write their own journal entries from the point of view of a child in Europe during the Holocaust.
    • This can be from the point of view of a child living in a ghetto, concentration camp, in hiding, or a part of a resistance movement.

Nonfiction Alignment 1
Frank, Anne. The Diary of a Young Girl. Bantam Books, 1952.
Lexile: 1080L
Grades: 3-12
Rationale: This is one of the most famous Holocaust victims. Her diary outlines her life in hiding during 1941 to 1944. Anne is around the age of the students while she is in hiding, which makes her more relatable. It is a first hand account of the Jewish experience during the Holocaust. This text can be used in entirety or in excerpts. This is a primary source document.

Nonfiction Alignment 2
Wiesel, Elie. Night (English Translation). Bantam Books, 1960.
Lexile: 720
Grades: 6-12
Rationale: This text outlines Elie Wiesel’s experiences during the Holocaust. This text supports the fiction book, The Boy in the Striped Pajamas, because it tells the nonfiction story of a young boy who survived a German concentration camp during the Holocaust. This memoir can be used to “fact check” the fiction text. This text can be used in its entirety or in excerpts. This is a primary source document.

Nonfiction Alignment 3
Zapruder, Alexandra. Salvaged Pages: Young Writers’ Diaries of the Holocaust. Yale University Press, 2002.
Lexile: 720
Grades: 6-12
Rationale: Similar to The Diary of a Young Girl, this collection of diary entries help students relate to the historical events and fiction text because the entries are written by children of similar age of the students. These are first hand accounts of events during the Holocaust. There is also great online resources available from the editor. Students may use the resources to explore the lives of the young writers. This is a collection of primary source documents.

Nonfiction Alignment 4
Abells, Chana Byers. The Children We Remember: Photographs from the Archives of Yad Vashem, the Holocaust Martyrs’ and Heroes’ Remembrance Authority, Jerusalem, Israel. Greenwillow Books, 1986.
Lexile: AD500L
Grades: 3-5
Rationale: This nonfiction text is a collection of photographs of the Holocaust. It creates a visual for the students. This supports the fiction text because it puts pictures to the historical event described in the novel. This is a primary source document.

Team Caldecott Nomination

Click here for our team nomination.

Caldecott Individual Nomination

Sima, J. (2017). Not quite narwhal. New York, NY: Simon & Schuster.
This book is very visually pleasing and tells a love story of a wannabe Narwhal. The pictures really fully support the text and make the story very entertaining.

Read Aloud - Dog Breath by Dav Pilkey

Click here  for my Read Aloud. Don't mind Sonya as my audience.
Pilkey, D. (1994). Dog breath. New York, NY: The Blue Sky Press.

Thirteen Reasons Why by Jay Asher

Related image
Thirteen Reasons Why by Jay Asher
Asher, Jay. Thirteen Reasons Why. New York, NY: Penguin Group, 2007.

Lexile Level: 550L
Recommended For: Grades 6-12
Genre: Realistic Fiction

Summary: Clay Jensen, a senior in high school, comes home to find a mysterious package filled with thirteen cassette tapes recorded by his classmate, Hannah Baker, who committed suicide two weeks before. He spends a heartbreaking night listening to all thirteen tapes with Hannah’s voice explaining what and who lead her to suicide.

Selling Tool: Please click here for a book talk on Thirteen Reasons Why.

Standards:
AASL: 1.1.1 Follow an inquiry-based process in seeking knowledge in curricular subjects and make the real world connection for using this process in own life.
1.1.7 Make sense of information gathered from diverse sources by identifying misconceptions, main and supporting ideas, conflicting information, and point of view or bias.

Common Core Standards:
CC.8.R.I.1 Key Ideas and Details: Cite the textual evidence that most strongly supports an analysis of what the text says explicitly as well as inferences drawn from the text.
CC.7.R.I.2 Key Ideas and Details: Determine two or more central ideas in a text and analyze their developments over the course of the text; provide an objective summary of the text.

Learning Goal: Students will use poetry as a way of relating to the characters in the novel, Thirteen Reasons Why. Throughout the book, the main character, Hannah, describes how she likes and relates to poetry. She uses several lines from Shakespeare and often speaks in a very poetic way. Students will practice writing their own poems.

Learning Objectives:
  1. Students will discuss,  in small groups, coping mechanisms and different resources available to them to deal with stress and bullying.
  2. Students will discuss, as a class, ways to help peers who are struggling emotionally and psychologically.
  3. Students will use the website www.pongoteenwriting.org to find two poems written by teens that provoke some feeling for them.
  4. Students will connect the poems they found to the text, Thirteen Reason Why and try to find connections shared with Hannah and her problems. The poem “I Just Thought You Should Know” on pongoteenwriting.org is addressed to Hannah and may be helpful.
  5. Students will pick a character from the book (either Clay, Hannah, or any of the main subjects of the tapes) and write a poem from their point of view. Students may use the writing activities on the cite as a guide.

Learning Outcome:

  1. Students will be able to identify ways to cope with stress and help peers in need.
  2. Students will understand the effects of bullying.
  3. Students will create original poetry relating to one of the characters from the book.

Tap Out by Eric Devine

Tony Antioch is a sixteen-year-old who lives in Pleasant Meadows, a trailer park that is anything but pleasant. His biggest dream in life is saving his mother from her stream of abusive boyfriends. Tony is convinced to join his friend Rob’s MMA class to learn how to defend himself against his mother’s boyfriend who has turned is anger onto Tony. However, the meth-dealing biker gang that runs Tony’s neighborhood is looking for recruits. Tony is going to need to learn more than fighting skills to find his way out of the cycle of poverty and violence that surrounds him.

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Patterns & Perceptions:
  • Is the main character portrayed as poor? Yes.
  • What is the ethnicity of the focal poor? Caucasian
  • Setting of poverty (urban, suburban, rural)? Rural
  • Single-parent family portrayed as poor? Single-Parent
  • Gender of focal poor? The main character is male, but both male and female are portrayed as poor.
Child or adult portrayed as focal poor? Both


Themes:
  • Secrecy - N/A
  • Family - Tony’s family is very disjointed. His mom is the only parent, if you can call her that. She is addicted to drugs and dates guys who beat up both her and Tony.
  • Friendship - Tony is incredibly distrustful of people, but values the friendships he has with a few people.
  • Embarrassment - Tony hates being poor. He is very embarrassed by it.
Bullying - Tony is bullied by both kids at school and adults. His mom’s boyfriend and other kids physically abuse him. He is made fun of on a daily basis because of his poverty



Love Letter to the Dead by Ava Dellaira

Love Letters to the Dead
By: Ava Dellaira
18140047
Grades: 7-12
Genre: Fiction
Lexile: 790L

Summary:  For an English assignment, Laurel begins writing letters to a dead person. She chooses Kurt Cobain because her sister, May, loved him. Like May, Kurt died young. Soon, Laurel has filled a notebook with letters to people; people like Janis Joplin, Amelia Earhart, Heath Ledger, and Amy Winehouse. Despite the assignment, she never gives a single letter to her teacher. She writes about everything - starting high school, falling in love, making new friends, her splintering family. Laurel begins to discover the truth about herself and her sister.

Click here for a book trailer.

Possible Learning Activity: Students will write letters to a person of their choice. They may choose to use their own experiences or makeup ones to write about in their letters.

Standards:
New York State Learning Standards and Core Curriculum:
CC.RL.9-10.2. Determine a theme or central idea of a text and analyze in detail its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.
CC.RL.9-10.3 Analyze how complex characters (e.g., those with multiple or conflicting motivations) develop over the course of a text, interact with other characters, and advance the plot or develop the theme.

Learning Objectives:

  1. Students will practice letter writing skills, using examples from the text.
  2. Students may choose to write about their own experiences or makeup fictional experience in their letters.
  3. Students will learn how to think critically and write in detail.